ORATORIO AND CONCERT
| Andriessen, Louis | De Stijl |
| Bach, J.C. | Ach, dass ich Wassers gnug hätte |
| Bach, J.S. | B Minor Mass Christmas Oratorio Magnificat St. John Passion St. Matthew Passion Cantatas: 4, 6, 8, 29, 36b, 45, 54, 78, 79, 110, 115, 125, 170, 207a |
| Beethoven, L.V. | Choral Fantasy |
| Berio, Luciano | Sinfonia |
| Britten, Benjamin | Phaedra Ceremony of Carols |
| Brooks, William | Crazy Jane (premier) |
| Byrd, William
|
Christ Rising Again Ye sacred muses Masses (one to a part) |
| Carissimi, Giacomo | Jeptha | Historicus |
| Duruflé, Maurice | Requiem |
| Elgar, Sir Edward | The Music Makers Sea Pictures |
| Handel, G.F.
|
Dixit Dominus Messiah Utrecht Te Deum Duets: “Langue, geme, sospira si lagna” “Conservate, raddoppiate” |
| Haydn, Joseph | Harmoniemesse The Creation |
| Horovitz, Joseph | Lady Macbeth |
| Ives, Charles | The Celestial Country | solo octet |
| Lotti, Antonio | Chamber duets and trios: Voi che cercate Amore Querèla amorosa A la tromba di Marte Quel sol, quell sol istesso |
| Mendelssohn, Felix | Elijah “O Rest in the Lord” |
| Mozart, W.A. | Requiem La Betulia Liberata | Giuditta “Parto, inerme, e non pavento” |
| Pergolesi, G.B. | Stabat Mater |
| Purcell, Henry | Rejoice in the Lord |
| Rachmaninoff, S. | All-Night Vigil |
| Rossini, G. | Petite Messe Solennelle Stabat Mater |
| Satie, Erik | Socrate | Phedre |
| Scarlatti, A. | La Giuditta | Nutrice |
| Steffani | Duets: Aure, voi che volate Sia maledetto Amor Begl’occhi, oh Dio, non più |
| Striggio, Alessandro | Ecce beatam lucem (one to a part) Missa Ecce beatam lucem (one to a part) |
| Tallis, Thomas | Spem in alium (one to a part) |
| Telemann, G.P. | Die Tageszeiten Cantata no. 2 “Der Mittag” |
| Vaughan Williams, R. | Serenade to Music |
| Viadana, Ludovico | Psalms (one to a part) |
| Vivaldi, Antonio | Gloria Magnificat |
ROLES PERFORMED
| COMPOSER | OPERA | ROLE |
| Agazzari, Agostino | Eumelio | Mercurio |
| Anonymous 17th c | Daphnis | Damon |
| Barber, Samuel | Vanessa (scenes) | The Old Baroness |
| Bizet, Georges | Carmen (scenes) | Carmen |
| Boismortier, Joseph Bodin | Don Quichotte (scenes) | Don Quichotte |
| Britten, Benjamin | Albert Herring | Florence Pike |
| Cesti, Antonio | L’Orontea | Aristea |
| Fleury Playbook | The Play of Herod The Slaughter of the Innocents |
Shepherd Rachel |
| Handel, George Frideric | Parnasso in festa (concert production) | Clori |
| Hildegard | Ordo Virtutum | Humility |
| Hughes, Jon | The Women of Trachis (premier) | Alto narrator, chorus |
| Mozart, Wolfgang A. | La Clemenza di Tito (scenes) Cosi fan tutte (scenes) Le nozze di Figaro (scenes) Die Zauberflöte (scenes) |
Annio Dorabella Cherubino Zweite Knabe |
| Offenbach, Jacques | Orpheus in the Underworld | Public Opinion |
| Purcell, Henry | King Arthur The Fairy Queen (concert production) Dioclesian (concert production) |
Saxon Priestess Alto solos Alto solos |
| Stravinsky, Igor | Le Rossignol (concert production) | Woman |
| Sullivan, Arthur | Gondoliers Iolanthe Pirates of Penzance |
Duchess of Plaza-Toro Iolanthe Kate |
ROLES STUDIED
| COMPOSER | OPERA | ROLE |
| Britten, Benjamin | The Rape of Lucretia | Lucretia |
| Charpentier, Marc-Antoine | Actéon | Junon |
| Handel, George Frideric | Alcina Orlando Rinaldo |
Ruggiero Orlando Rinaldo |
ARIAS
| COMPOSER | OPERA | ARIA | ROLE |
| Barber, Samuel | Vanessa | “Must the Winter Come so Soon? | Vanessa |
| Cavalli, F. | La Calisto La Didone |
“Erme, e solinghe cime” “Alle ruine del mio regno” |
Endimione Ecuba |
| Gluck, C. W. | Orfeo | “Che faró senza Euridice?” | Orfeo |
| Handel, G.F. | Alcina Ottone Serse |
“Vorrei vendicarmi” “Al’orror d’un duolo eterno” “Ombra mai fu” |
Bradamante Matilda Serse |
| Menotti, G. C. | The Consul | “I shall find for you shells and stars” | Nurse |
| Monteverdi, C. | Il ritorno d’Ulisse | “Di misera regina” | Penelope |
| Mozart, W. A. | Ascanio in Alba | “Ah, di si nobil alma” | Ascanio |
| Rossini, G. | L’Italiana in Algeri Il barbiere di Siviglia |
“Cruda sorte!” “Una voce poco fa” |
Isabella Rosina |
| Saint Saëns, C. | Samson et Dalila | “Mon coeur s’ouvre à ta voix” | Dalila |
SONG
| Barber, Samuel | Hermit Songs Op. 29 Sure on this shining night Op. 13, No. 3 |
| Bataille, Gabriel | Des maux si déplorables |
| Berg, Alban | Vier Gesänge Op. 2 |
| de Bornelh, Giraut | Reis glorios |
| Brahms, Johannes | Liebeslieder Op. 52 Neue Liebeslieder Op. 65 Vier Duette, Op. 28 An eine Äolsharfe Auf dem Kirchhofe Op. 105, No. 4 Feldeinsamkeit Op. 86, No. 2 Liebestreu Op. 3, No. 1 Meine Lieder Op. 106, No. 4 Ständchen Op. 106, No. 1 Vergebliches Ständchen Op. 84, No. 4 Von ewiger Liebe Op. 43, No. 1 Wiegenlied Op. 49, No. 4 Wie Melodien zieht es mir Op. 105, No. 1 Wir wandelten Op. 96, No. 2 |
| Britten, Benjamin | A Charm of Lullabies Op. 41 (studied) A Poison Tree (The Red Cockatoo) The Last Rose of Summer |
| Caplet, André | L’adieu en barque |
| Copland, Aaron | Twelve Poems of Emily Dickinson (selections) |
| Danyel, John | Grief keep within Why can’st thou not as others do? |
| Debussy, Claude | Trois Chansons de Bilitis |
| de Dia, Beatriz | Estat ai en greu cossirier |
| Dowland, John | First Booke of Songs of Ayers in Four Parts Flow my tears Time stands still Weep you no more, sad fountains |
| Duparc, Henri | Chanson triste Op. 2 No. 4 |
| Durant, Gilles | Ma belle si ton ame |
| Ford, Thomas | Since first I saw your face |
| de Frumerie, Gunnar | Hjärtats sånger Op. 27 |
| Enesco, Georges | Sept Chansons de Clement Marot Op. 15 |
| Fauré, Gabriel | Les Berceaux Op. 23 No. 1 La Chanson d’Ève, Op. 95 – Crépuscule Pleurs d’Or Op. 72 |
| Gershwin, George | Embraceable you Summertime |
| Honegger, Arthur | Quatre Chansons pour voix Grave (studied) |
| Mozart, Wolfgang | An Chloe K.524 |
| Ravel, Maurice
|
Trois Poèmes de Stéphane Mallarmé Histoires naturelles (selections) |
| Rudel, Jaufre | Quan lo rius de la Fontana |
| Somervell, Arthur | James Lee’s Wife |
| Schubert, Franz | Der Jüngling und der Tod D.545 Der Tod und das Mädchen Op. 7, No. 3 Ständchen, D.920 |
| Schumann, Robert | Frauenliebe und leben Op. 42 Ich bin dein Baum Op. 101, No. 3 Aus den hebräischen Gesängen |
| Stravinsky, Igor | The owl and the pussycat |
| Vaughan Williams, Ralph | Silent Noon |
| White, Robert | Have you seen but a bright lily grow? |
MADRIGALS
As an ensemble musician Robin has performed an extensive repertoire of Renaissance madrigals, chansons and Lieder one to a part, by composers including but not limited to the following:
Agricola, Agresta, Alleotti, Arcadelt, Banchieri, Bartlet, Borlet, Brumel, Byrd, Croce, d’India, Eccard, Encina, Farmer, Farnaby, Festa, Gabrieli, Gesualdo, Ingegnieri, Isaac, Janequin, Josquin, Lacorcia, Lassus, Lechner, Marenzio, Monteverdi, Palestrina, Passereau, Rore, de la Rue, Schütz, Striggio, Tromboncino, Valentini, Vecchi, Vincentino, Weelkes, Wert, Willaert.